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Werewolf literature includes folklorelegendsagafairy talesGothic and horror fictionfantasy fiction and poetry.

Such stories may be supernatural, symbolic or allegorical. A classic American cinematic example of the theme is The Wolf Man which in later films s with the Frankenstein Monster and Count Dracula as one of the three famous icons of modern day horror. However, werewolf fiction is an exceptionally diverse genre, with ancient folkloric roots and manifold modern re-interpretations. In Greek mythology, there is a story of an Arcadian King called Lycaon who tested Zeus by serving him a dish of his slaughtered and dismembered son to see if Zeus was really all-knowing.

As punishment for his trickery, Zeus transformed Lycaon into a wolf and killed his 50 sons by lightning bolts, but supposedly revived Lycaon's son Nyctimus, who the king had slaughtered. In medieval romancessuch as Bisclavretand Guillaume de Palerme the werewolf is relatively benign, appearing as the victim of evil magic and aiding knights errant.

However, in most legends influenced Female werewolf stories medieval theology the werewolf was a Satanic beast with a craving for human flesh. This appears in such later fiction as "The White Wolf of the Hartz Mountains": an episode in the novel The Phantom Ship by Marryatfeaturing a demonic femme fatale who transforms from woman to wolf.

Sexual themes are common in werewolf fiction; the protagonist kills his girlfriend as she walks with a former lover in Werewolf of Londonsuggesting sexual jealousy. The writers of The Wolf Man were careful in depicting killings as motivated out of hunger.

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The wolf in the fairy tale " Little Red Riding Hood " has been reinterpreted as a werewolf in many works of fiction, such as The Company of Wolves by Angela Carter and its film adaptation and the film Ginger Snapswhich address female sexuality. In folk and fairy tale traditions all over the world, humans who can shapeshift at will into both human and lupine forms appear in several fairy tales. According to the Aarne-Thompson-Uther Indexthey can appear in this capacity in the following Female werewolf stories types:.

Nineteenth-century Gothic horror stories drew on folklore and legend to present the theme of the werewolf in a new fictional form. In another, Wagner the Wehr-Wolf by G. Reynoldswe find the classic subject of a man who, although a kind-hearted man himself, accepts a deal with the devil to become a werewolf for 18 months accompanying Dr. Faustus and killing humans, in exchange for youth and wealth. Stevenson's Olalla offers more explicit werewolf content, but, like Strange Case of Dr Jekyll and Mr Hydethis aspect remains subordinate to the story's larger themes.

Charles De Coster 's novel The Legend of Thyl Ulenspiegel and Lamme Goedzak includes an extensive episode where the Flemish town of Damme is terrorized by what seems a rampaging werewolf, the numerous victims' bodies bearing what seems the mark of a wolf's fangs - thought ultimately they turn out to have been killed by a completely mundane serial killer, clever and ruthless, who used metal blades to simulate these wolf's tooth marks.

A rapacious female werewolf who appears in the guise of a seductive femme fatale before transforming into lupine Female werewolf stories to devour her hapless male victims is the protagonist of Clemence Housman 's acclaimed The Were-wolf published in The 20th century saw an explosion of werewolf short stories and novels published in both England and America.

The famed English supernatural story writer Algernon Blackwood wrote a of werewolf short stories. These often had an occult aspect to them. American pulp magazines of the to s, such as Weird Talesinclude many werewolf tales, written by such authors as H. Howard made his own contribution to the genre in " Wolfshead ". This novel has been accorded classic status and is considered by some to be the Dracula of werewolf literature. The novel The Wolf's Bride: A Tale from Estonia written by the Finnish author Aino Kallas was published in and it tells the story of the forester's wife living in Hiiumaa in the 17th century who became a werewolf under the influence of a malevolent forest spirit.

There is also a story by J. Konrath called Shapeshifters Anonymouse which features a werewolf. In cinema during the silent era, werewolves were portrayed in canine form in such films as The Werewolf and Wolf Blood The first feature film to portray an anthropomorphic werewolf was Werewolf of London in not to be confused with the film of a similar title [ citation needed ]establishing the canon that the werewolf always kills what he loves the most.

The main werewolf of this film was a dapper London scientist who retained some of his style and most of his human features after his transformation.

This catapulted the werewolf into public consciousness. Even a man who is pure in heart And says his prayers by night May become a wolf When the wolfbane blooms And the autumn moon is bright. The process of transmogrification is portrayed in such films and works of literature to be painful. The resulting wolf is typically cunning but merciless, and prone to killing and eating people without compunction, regardless of the moral character of the person when human.

Lon Chaney Jr. In these films, the werewolf lore of the first film was clarified. In Frankenstein Meets the Wolf Man it is Female werewolf stories established that the Wolf Man is revived from the dead at a night of the full moon. In The House of Frankenstein silver bullets are used for the first time to dispatch him. The success of Universal's The Wolf Man prompted rival Hollywood film companies Columbia Studios and Fox Studios to bring out their own, now somewhat obscure, werewolf films.

The first of these was The Undying Monster produced by Fox inadapted from a werewolf novel of the same name by Jessie Douglas Kerruish, published in More recently, the portrayal of werewolves has taken a more sympathetic turn in some circles. With the rise of environmentalism and other back-to-nature ideals, the werewolf has come to be seen as a representation of humanity allied more closely with nature.

Author Whitley Strieber ly explored these themes in his novels The Wolfenin which a non-werewolf species of intelligent wolf-like creatures are shown to act as predators of humanity, acting as a "natural" control Female werewolf stories their population now that it has been removed from the traditional limits of nature, and The Wildin which the werewolf is portrayed as a medium through which to bring human intelligence and spirit back into nature.

Argentinean women turn into lobisóns after surviving a werewolf attack

The heroic werewolf has also returned via the paranormal romance genre, where wolf-like characteristics such as loyalty are shown as positive traits in a prospective mate. Werewolves have featured a of times in the long-running British science fiction television series Doctor Who and its other media tie-ins.

The first time a werewolf appeared in the television series was in the Seventh Doctor serial The Greatest Show in the Galaxy during which the young punk girl Mags is shown to have aversion to moon s and reacted in a violent, animalistic manner to various acts of violence throughout the story. In the cliffhanger to the third episode, she was seen to transform into a discoloured, ferocious, humanoid depiction of a lupine-like creature when a silvery-blue lighting effect is shone upon her during the climactic act in a circus ring.


A wolf-man appears in the Sixth Doctor story Mindwarpand the primords in the Third Doctor story Inferno are also lupine in appearance, but in both cases these are induced mutations rather than people who switched between human and wolf forms. A more traditional werewolf also appeared in the Tenth Doctor episode " Tooth and Claw ".

In the Harry Potter series —the most prominent werewolf is Remus Lupinwho is portrayed as struggling with his curse and terrified of infecting someone. The series also includes a werewolf villain, Fenrir Greybackwho fits more with the older image of werewolves. The Potter books, while showing the intense threat to humans transformed to bloodthirsty monsters pose to the population, essentially use werewolves as a metaphor for marginalised groups who have been discriminated against in modern society.

The best werewolf romance books

Poul Anderson 's Operation Chaos and its sequel Operation Luna have as their protagonist a completely positive and heroic werewolf, who is in complete control of transformation from human to wolf Female werewolf stories back, and completely retains his normal mind while in wolf form - being thus able to use the wolf form to fight evil, in the manner of superheroes endowed with a superpower. An earlier Anderson novel, Three Hearts and Three Lionswith its semi-medieval settling, featured a more traditional werewolf - a young girl transformed against her will and in wolf form perpetrating acts which she does not remember when returning to human form.

Even so, she is depicted sympathetically as a victim, and a solution is found by taking her far away from the influence of evil magic, to a location where she would not change again and where she could get happily married. The Discworld series features a few werewolves that subvert expectations, including a character named Lupine who transforms into a human-like form every night of the full moon, but otherwise remains a wolf. In the Animorphs series, the characters can also morph into wolves.

A very popular modern subgenre consists of stories that treat werewolves as separate race or species either science fictional or magical or as persons using magic Female werewolf stories order to deliberately transform into wolves at will.

Such current-day werewolf fiction almost exclusively involves lycanthropy being either a hereditary condition or being transmitted like a disease by the bite of another werewolf. The form a werewolf takes is not always an ordinary wolf, but is often anthropomorphic or may be otherwise larger and more powerful than an ordinary wolf. Sometimes the beast form of the werewolf will have some physical characteristics borrowed from an animal species other than the wolf, as can be seen in the boar-like werewolf of the film Wild Country Many modern werewolves are also supposedly immune to damage caused by ordinary weapons, being vulnerable only to silver objects usually a bullet or blade.

This negative reaction to silver is sometimes so strong that the mere touch of the metal on a werewolf's skin will cause burns. Despite the recent upsurge in the motif of heroic werewolves, unsympathetic portrayals of werewolves as monsters also continue to be common in popular culture.

This is especially true in films, which are only slowly incorporating trends in written fiction. There are very few werewolf films outside the horror genre.

In the movie War Wolvesrecently shown on the Sci-Fi channel, lycanthropy does not have an influence on the "victims'" alignment. Instead, it is up to the individual to choose whether to use their abilities for good or evil.

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Both the heroes and villains in the movie are werewolves from the same military unit. In the TV series Creepshowthere is a story called "Bad Wolf Down" where outed soldiers gain the ability to become werewolves to take out their Nazi pursuers.

There is also a Christmas special that is an adaption of the book Shapeshifters Anonymous. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. For more information on werewolves in ancient myth, legend and folklore, see Werewolf. Journal of Ethnology and Folkloristics, [S.

ISSN Date accessed: 25 apr. The Folktale. University of California Press. Berlin; New York: Walter de Gruyter.

Storytelling: An Encyclopedia of Mythology and Folklore. Sharpe Reference. New York: Basic Books.

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Awarische Texte. Akademie der wissenschaften. Collection: Les joyaux de l'Orient; Tome London: I. Tauris, ISBN p. Films of Science Fiction and Fantasy. New York: Harry N. ISBN Horror fiction.